Monumental Complex of Pisa Cathedral Square Combo Ticket

Discover the beauty of Piazza dei Miracoli beyond the Leaning Tower!
Monumental Complex of Pisa Cathedral Square Combo Ticket
From 1.80

Heaven meets earth.

Technical organization Opera della Primaziale Pisana
Provided by Opera della Primaziale Pisana

Overview

Discover the beauty of Piazza dei Miracoli beyond the Leaning Tower! Pisa's Cathedral Square, better known as the Miracles Square, is formed by a unique ensemble of four monumental buildings (aside from the tower, there is the Cathedral, the Baptistery and the Monumental Cemetery) as well as by two matchless collections – the Museum of Sinopie and the Museum of the Opera. All the monumental buildings are closely related, and ruled by a single design concept. The ensemble of monuments represents a symbol of Christian allegory, a dialogue between heaven and earth, speaking eloquently of a millennium of culture.

Combo ticket valid for the museums and monuments of Pisa's Cathedral Square:

  • Cathedral
  • Baptistery
  • Monumental Cemetery
  • Sinopie Museum
  • Museo dell'Opera / Cathedral Museum
  • ATTENTION: Admission for the Leaning Tower NOT included; you can purchase it separately clicking here.

** The Museo dell'Opera will remain closed for restoration starting on May 17th 2014; expected duration of works: two years.

IMPORTANT:

  • ATTENTION! Access to museums and monuments is ALLOWED ONLY to CLIENTS who present the TICKET provided by us, issued by OPERA DELLA PRIMAZIALE PISANA.
  • The visit is confirmed 45 days before the date, so reservation guarantees the inclusion on the waiting list and delivery of the ticket as soon as we receive it from Opera della Primaziale Pisana. Charge to credit card made the business day following the request.
  • The Cathedral is open for sightseeing and admission to it is included in the purchase of any ticket to another monument of Piazza dei Miracoli. The Cathedral is first and foremost a place of worship and prayer. Visitors are thus asked to dress and behave appropriately, respecting both the place and people.
  • Reservations must be made no less than 15 days before the date of the visit.
  • Children aged 10 years or less have free entry, provided that they are accompanied by an adult. For children aged more than 10 years, an ordinary ticket is required.
  • Admission is free for visitors with disabilities, upon presentation of a medical certificate confirming the disability.

 

Opening Hours:

January – February: 10:00am – 5:00pm

March: 9:00am – 6:00pm

April – September: 8:00am – 8:00pm

October: 9:00am – 7:00pm

November – December: 10:00am – 5:00pm

December 25 – January 6: 9:00am – 6:00pm

Cathedral opens to visitors at 10:00am (at 1:00pm on holidays)

Entrance is allowed up to 30 minutes before closing time.

IMPORTANT NOTE: The time you select on the order form is the opening hour on selected date. Your ticket is valid for 1 (one) access to sites indicated on reserved date.

Cancellation Policy:

  • Changes or cancellations are possible within 10 days from the day the reservation is submitted. Changes will be accepted according to availability. Cancellation within this limit allows the refund of unused tickets minus service fee (reservation fee and online booking fee).
  • No refund is possible for later cancellations and for no shows.

 

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PLEASE NOTE: Immediately after submitting an order, you will receive an email with your order summary plus a second email confirming your successful payment. A confirmation email with links to the vouchers will be sent one business day after you place your order (Monday afternoon for orders submitted on Friday and during the weekend). Please make sure that your anti-spam filter does not block automatic emails from [email protected]

HOW TO GET THERE:

A – BY TRAIN

Frequent train service connects Florence Santa Maria Novella Train Station with Pisa Central Station. The journey takes between 30 and 50 minutes.

  • 1) From Pisa Central Station:

By bus: N. 4 (opposite the main entrance of the station) Stop: “Piazza Arcivescovado”

RED SHUTTLE LAM (opposite the main entrance of the station) Stop: “Via Cammeo/Piazza Manin”

N. 21 Night Bus (opposite the main entrance of the station) Stop: “Via Cammeo/Piazza Manin”

By Taxi: A taxi service is available opposite the main entrance of the station. On foot: Leave the station through the main entrance, and head straight for Piazza Vittorio Emanuele. From there, turn into Via Crispi. Go straight as far as Ponte Solferino. Cross the bridge, continue straight ahead, turn into Via Roma and go on until you reach Piazza dei Miracoli and the Leaning Tower. Time: approximately 25 minutes

  • 2) From Pisa San Rossore Station:

On foot: Take the pedestrian underpass to Piazza Fancelli. Walk straight onto Via Andrea Pisano. Turn left and go straight ahead until you reach Piazza dei Miracoli and the Leaning Tower. Time: approximately 5 minutes

B – BY PLANE (FROM GALILEO GALILEI INTERNATIONAL AIRPORT)

By bus: RED LAM (in front of the airport) Stop: “Piazza Manin”

N. 21 Night Bus (in front of the airport) Stop: “Via Cammeo/Piazza Manin”

By Taxi: A taxi service is available opposite the main entrance of the airport.

C – BY CAR

1) From the exit Pisa Nord: Take the highway Statale Aurelia to Pisa. At the junction for Parco di S. Rossore, turn left into Viale delle Cascine. Drive along via Contessa Matilde to Largo Cocco Griffi and the Cathedral Square. (15-20 minutes)

2) From the exit of the expressway Fi-Pi-Li – Pisa Center: Exit "Aurelia", drive on along the highway Statale Aurelia to Pisa. After crossing the river Arno on the Aurelia (bridge), turn into Lungarno Cosimo I° and then into via B. Pisano until you reach the Cathedral Square. (15-20 minutes)

Tourist parking area: Via Pietrasantina, a five-minute walk from the Cathedral Square.

 

Details

Combo ticket valid for the museums and monuments of Pisa's Cathedral Square:

  • Cathedral
  • Baptistery
  • Monumental Cemetery
  • Sinopie Museum
  • Museo dell'Opera / Cathedral Museum
  • ATTENTION: Admission for the Leaning Tower NOT included; you can purchase it separately clicking here.

** The Museo dell'Opera will remain closed for restoration starting on May 17th 2014; expected duration of works: two years.

Piazza dei Miracoli – Miracles Square

It was the poet Gabriele D'Annunzio (1863-1938) who called the cathedral square in Pisa “Piazza dei Miracoli,” capturing the amazement and admiration that had seized onlookers for centuries as they glanced the pure whiteness of the monuments rising out of the lush green of the turf. The walled, partly grassed area is regarded as one of the main centers for medieval art in the world and was declared UNESCO world heritage site in 1987. Four great religious edifices dominate it: the Duomo (Cathedral), the Baptistery, the Camposanto building, and the Leaning Campanile (Bell Tower).

The sacred buildings seem to be rising astonishingly far away from today's bustle of the city center. But a careful historical interpretation and the contribution of some recent archaeological findings explain the choice of place. Pisa gained its greatness during Etruscan times, when it was located at the intersection of rivers and roads as well as in close, but safe, proximity to the Mediterranean sea. Pisa's countryside offered a wide range of produce as well as wood and stone for its buildings, thus boosting the settlement of some important manufacturing facilities.

A river used to flow close to the Square, first along the northern edge, then bending south into the Arno River – the Auser. Close to today's railway station of Pisa-San Rossore, the Auser River hosted a river port that worked for one thousand years, from the Etruscan to the late Roman age. This port was brought back to light in the late 20th century after a long period of oblivion, placing the Cathedral square back into the civil and religious heart of ancient Pisa.

Today's Piazza dei Miracoli was the religious center of the city since Pisa's origins, which date to before Constantine's peace pact of 313 AD. Older sacred buildings stood where the monuments we admire today are – these date back to the mid-centuries of the Middle Ages, when Pisa was at the peak of its glory after its triumphs at sea. The city asserted its supremacy over the region and all over the world, going so far as to claim for itself the role of a “new Rome.” Such boundless pride gave birth to the plan to rebuild near an earlier cathedral, the remains of which have been discovered during recent archaeological excavations.

The new church of Saint Mary was founded in 1064, the year of the triumph of Pisa against the Saracens in Palermo. The “temple of snow-white marble,” as the author of the funereal inscription calls it for its architect Buschetto, represented the whole civil and religious community. It had to reflect its fame and power to the eyes of the world. To this end, epigraphs were placed on the façade to celebrate the main maritime victories, pieces of Roman monuments were fitted on the sides to highlight the greatness of Pisa as the “other Rome,” and the facade was richly decorated with ornamental features, such as the outstanding Arab-inspired polychrome lozenges. Finally, the rooftop was adorned with the magnificent bronze griffin of Islamic origin (taken from Palermo), the original of which is now on display at the Museo dell'Opera.


 

The Baptistery

The Baptistery was built in 1152 according to a design by Diotisalvi in front of the Cathedral, and lined up with its facade. It is a building that according to the latest studies recalls many aspects of the Holy Sepulcher as well as of the mosque of Omar in Jerusalem, a fact that goes back to the influences and relations between the architecture of Pisa and the Middle East. The whole city was involved in the construction of the building designed to host the baptismal font for the people of Pisa. The contemporary chronicler Bernardo Maragone says that one of the eight pillars came from the Isle of Elba and from Sardinia, and was placed inside the Baptistery by the inhabitants of the Porta Aurea neighborhood in 1163.


 

The Bell Tower

The anonymous architect of the Bell Tower echoed the circular plan of the baptistery in 1173. The roundness of the tower recalls the curves of the apses of the cathedral and shares the recurring motif of pillars and small arches with the other monuments in the square. The tower is composed of eight floors supported by blind columns of Carrara marble. The 58 m-high tower began to tilt from the first years of its construction, due to a subsidence of the ground. It was secured between 1990 and 2001.


 

The Cemetery and the Museo delle Sinopie-Sinopie Museum

The Bell Tower seemed to complete the group of monuments of the Cathedral – but in the 13th century, while construction continued and the buildings were enriched with works of art, archbishop of Pisa Federico Visconti had two new buildings added to the site of the square. Pope Alexander IV had the New Hospital built to the south in 1257 – as a token of the reconciliation with the Apostolic See after over fifteen years of crisis. Designed to help pilgrims, the poor, and the sick, the building is today home of the Museo delle Sinopie.

A new cemetery was begun in 1277 to group the tombs, which until then had been scattered all around the Cathedral. This plan led to the building of the Cemetery, an extraordinary four-sided cloister, which closes the Piazza dei Miracoli on the north side with its marble facade. Conceived for the “burial of the dead and the instruction of the living,” it is decorated with a magnificent series of frescoes. The preparatory sketches, the so-called, “sinopie,” are now kept in the Museum.


 

Museo dell'Opera del Duomo – Cathedral Museum

The Museo dell'Opera del Duomo was opened in the ancient Episcopal seminary in 1986. The impulse for the museum project was to create a place where the public could gain an understanding of the development of art in Pisa, and in particular of medieval sculpture. Created during the centuries of construction of the square, the masterpieces had been scattered in different places, including the Museo Civico, which was then named Museo Nazionale di San Matteo, or lost in storage rooms after the Second World War.

After a thorough examination of every piece, decisions were taken on where to exhibit them, and all the sculptures that turned out to have originally come from the buildings of the square were moved to the new museum. The Treasure of the Cathedral – silver accessories and church vestments, books of Liturgy – and a brief overview of its fixed furnishings are also located in the museum. A special section accommodates the Egyptian, Etruscan, and Roman antiques which were exhibited in the galleries of the Cemetery during the early 19th century.

Designed as the residence of the canons of the Cathedral, who resided there from the end of the 12th century until the early 17th century, the building is composed of two L-shaped rectangular brick bodies built around a cloister. The building went through a series of uses, owners, and stages of reconstruction, before the Opera della Primaziale Pisana acquired it in 1979 to convert it into a museum.

Prices

Reservations for full price tickets only.

Children up to 10 years old have free admission (they must be accompanied by an adult).

Reduced Price Tickets (Reservations to be made directly through Opera della Primaziale Pisana):

  • School groups: reduced price ticket allowing access to all the monuments against presentation of a list of names on the official letterhead of their school. One free entrance for an accompanying teacher is granted for every 10 students.
  • Students of the Province and Diocese of Pisa can access the monuments for free after collecting the specific authorization available at the ticket office. One free entrance for an accompanying teacher is granted for every 10 students.

Free Tickets:

  • Persons with Disability: Opera della Primaziale Pisana offers free admission to the monuments of Piazza del Duomo to persons with disability and the person accompanying them (one person per guest with disability), after reading the applicable access regulations wherever necessary. To visit the Bell Tower, ask the person in charge of the surveillance service first.

Free Access Information for all Visitors:

The purchase of an admission ticket for any monument of the Piazza del Duomo includes free access to the multimedia and information areas located along the special itineraries created in the Opera del Duomo Museum and the Museum of Sinopie. The exhibit includes virtual environments, experimental tactile exploration of sculptures, and an audio guide providing historical-cultural information.

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WARNING: Admission to booked sight will be denied without the presentation of the voucher. Presenting a copy of the order form does by not give you the right to be admitted. No exceptions can be made to this rule.

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