The Crucifix painted by Giotto, the wooden Crucifix sculpted by Brunelleschi, and Masaccio’s Holy Trinity would suffice to establish the glory of the Church of Santa Maria Novella, but the church boasts many other works of art – both in painting and sculpture, as well as in architecture, as evidenced by the beautiful facade designed by Leon Battista Alberti.
Your tour includes both the municipally-owned Museum of Santa Maria Novella (Cloister of the Dead, Green Cloister, Spanish Chapel, Ubriachi Chapel and Refectory) and the part of the complex managed by the Opera per Santa Maria Novella (Basilica and Cemetery of the "Avelli").
> On a few days per month (most Sundays and many religious holidays), visitors can also tour the magnificent Great Cloister, currently part of the Scuola Marescialli e Brigadieri dei Carabinieri (military police school).
> Visitor numbers are regulated by advance booking for safety reasons.
> Your booking includes the rental of the Video Tablet Guide for the visit.
Hours vary depending on the day of the week.
>Monday to Thursday and on Saturday year-round: 9:00am to 5:00pm
>Friday year-round: 11:00am to 5:30pm
>Sunday and Holidays:
July to September: 12noon to 5:00pm
October to June: 1:00pm to 4:00pm
Reservations entrance: cashier, ticket station side, next to the Tourist Information Point, Piazza Stazione 4.
RULES AND REGULATIONS:
Visitors to the Basilica of Santa Maria Novella must respect the following rules:
Please note: The Basilica of Santa Maria Novella may be closed without previous notice for masses, concerts and extraordinary events.
Video Guide Tablet for the Basilica of Santa Maria Novella
Your video tablet outlines the history of the complex of Santa Maria Novella using the combination of text and audio content, supplied with a rich photo gallery and interactive in-depth analyses. The tablet focuses on the masterpieces, starting from the great crucifixions by Giotto, Masaccio, Brunelleschi, to the great cycles by Andrea di Bonaiuto, Domenico Ghirlandaio and Filippino Lippi, from the illustrious tombs to the refined works by Andrea Cavalcanti and Sandro Botticelli. The multimedia narration brings that artistic, civic, and religious unity which makes the Dominican convent one of the most extraordinary sites in Florence back to life.
Video tablet guide available in 5 languages: English, Italian, French, German, and Spanish.
Duration: 45 minutes.
First pick up at 9:00am, last pick up at 3:30pm.
Once a confirmation code has been assigned to your reservation, we can refund the cost of unused tickets, also for no shows, minus a service fee (reservation fee and online booking fee).
Save time ordering: Add all the service tickets you want into your basket, then fill in the form and send your request.
PLEASE NOTE: Immediately after submitting an order, you will receive an email with your order summary plus a second email confirming your successful payment. A confirmation email with links to the vouchers will be sent one business day after you place your order (Monday afternoon for orders submitted on Friday and during the weekend). Please make sure that your anti-spam filter does not block automatic emails from [email protected]
The Crucifix painted by Giotto, the wooden Crucifix sculpted by Brunelleschi, and Masaccio’s Holy Trinity would suffice in themselves to establish the glory of the Church of Santa Maria Novella, but the church boasts many other works of art – both in painting and sculpture, as well as in architecture, as evidenced by the beautiful facade designed by Leon Battista Alberti.
Masaccio's Trinity (1425-1426): Covered by Giorgio Vasari with a stone altar and the altarpiece of the Madonna of the Rosary in 1570, the fresco was found during restoration of the church in the 19th century, and was detached and placed on the wall inside of the facade. In 1952, the image of the skeleton lying at the base of the Trinity by Masaccio was discovered under the plaster and restored. It bears the inscription "I was already what you are and that which I am you will be", the words spoken by Jesus to God the father in the Easter prayer before his death.
Giotto's Crucifix (1288-1289): Magnificently restored in 2000, the painting of the cross was put back at the center of the Basilica. Highlighting the theme of passion it is inspired by the Franciscan school of the “patient Christ.” It is the image of Christ's body caught in the instant of abandoning life symbolized by the blood gushing from his wounds. Here, the extraordinary beauty lies in the realism of the model that is no longer idealized as in Byzantine art, but true to nature.
Brunelleschi's Crucifix (1410-1415): Following Giotto's Crucifix, Brunelleschi reworked the figure of Christ as a sculpture, bent on the cross adding a slight twist to the left, creating spaces around itself, forcing the observer in a semicircular path around the figure in order to see it completely. The work is characterized by a careful study of the anatomy and proportions, evidencing the essentials (inspired by ancient art), which enhances the sublime dignity and harmony of the work. Christ is more idealized and measured, and the mathematical perfection of forms, recalling the Vitruvian ideal man, is also an echo of the divine perfection of the subject.
Tornabuoni Chapel (Cappella Maggiore): Dedicated to the Virgin Mary, it was made by the Ricci family and decorated with frescoes by Orcagna in the middle of the 14th century. The frescoes had already seriously deteriorated after a century and were badly damaged by fire in 1357. The frescoes visible today are those created by Ghirlandaio. Executed at the request of the new patrons of the chapel, the Tornabuoni, they depict stories of the life of the Virgin, the apocryphal gospels, John the Baptist and the Four Evangelists. Master Ghirlandaio had the help of many other artists, including a young Michelangelo for a short period. Characters of that time are depicted, especially of the Tornabuoni family, as well as artists, writers, and philosophers.
The Basilica: The marble facade of Santa Maria Novella is one of the most important works of the Florentine Renaissance, despite having been initiated in earlier periods. It was only completed in 1920. Alberti grafted a modern solution to the underlying Gothic structure, harmonizing the existing elements with those of the new style.
Filippo Strozzi Chapel: Its fame is due to the frescoes by Filippino Lippi. Begun during the late 1480s and completed around 1502, the artist ended his painting life with this cycle. The theme of the cycle of frescoes are the stories of the lives of saint Philip the Apostle and John the Evangelist – Philip because of the name of the buyer, and John as an homage to the previous patron of the chapel.
Gondi Chapel: The chapel is dedicated to Saint Luke, and was built by Fra Ranieri alias “the Greek” in 1264. The Dominican cardinal Latino Malabranca laid the foundation stone for the erection of the Basilica here on October 18, 1279, on the feast of Saint Luke. The chapel belonged to the Scali family from 1319 to 1503, and then passed to the Gondi, who entrusted the renovation of the chapel to Giuliano da Sangallo. In 1571-72 the friars decided to move the precious Crucifix by Brunelleschi to this chapel, where it resides since then.
Gaddi Chapel: Dedicated to Saint Jerome, the patron saint of the Gaddi family, the architecture is by Giovanni Antonio Dosio, a disciple of Michelangelo, who followed the style of his master. The precious marbles that decorate the chapel were stolen from Rome in the 16th century.
Mantua Strozzi Chapel: Built between 1340 and 1350 in honor of Saint Thomas Aquinas, thanks to the generosity of the Mantua branch of the Strozzi family, it was later painted by Nardo di Cione, brother of Andrea Orcagna. The realms of heaven structured according to the vision of the Divine Comedy of Dante are depicted on the walls.
The museum includes the first two cloisters of the convent, the Spanish Chapel and the vast area of the Refectory.
The most famous place is the Green Cloister, which owes its name to the predominant color of the remarkable series of paintings with stories of Genesis that decorate three of the four sides. Dating from the first half of the 15th century, and including the famous scenes of Original Sin and the Flood, they were painted by Paolo Uccello.
On the same side of the Green Cloister, overlooking the 14th century chapter house of the convent, you will find the Spanish Chapel, ceded in 1566 to the Spanish community that had settled in the wake of Eleonora of Toledo, wife of Duke Cosimo I de' Medici. The space is entirely decorated by a complex cycle of frescoes by Andrea di Bonaiuto (1365-1367), an allegorical celebration of the triumph of the Catholic Church against heresy and the active and contemplative life of the Dominican order.
The Green Cloister leads to the chapel of the noble family of the Ubriachi and the large adjoining convent refectory, where a spectacular mural painting by Alessandro Allori and a large painting of the Last Supper by the same artist (1584-1597) overlap with the remains of the original fresco decoration from the end of the 14th century. The two spaces are home to paintings from different places of the monumental complex, including a rare signed and dated altarpiece by Bernardo Daddi, and a wide selection of furnishings and vestments belonging to the ancient treasure of the basilica.
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The Dr. Vranjes store is located in Via della Spada 9/r, at the center of Florence's quadrangular shopping area, close to the most prestigious brands of fashion and a few steps from the luxurious Via Tornabuoni.
The store has become a window into the Dr. Vranjes universe, in which customers from all over the world recognize themselves.
Every client presenting a WEEKEND in ITALY voucher will be given
- a complimentary scented bookmark, regardless of purchase
- a free Dr. Vranjes Shea Lip-balm for a purchase minimum of € 30.00
- a free fragrance spray 25 ml for a purchase minimum of € 100.00
Via della Spada 9r - Firenze
Via San Gallo 63r - Firenze
Borgo la Croce 44r - Firenze
Via Fiori Chiari 24 - Milano
Since 1888, Dante Cardini is one of the landmark jewelers on the Ponte Vecchio in Florence. You will find brands such as CHIMENTO jewelry, Roberto Poggiali and BARAKA, with contemporary design, as well as the exclusive DANTE CARDINI creations for the more traditional taste.
Owners Massimo and Elisabetta will welcome you in the elegant but informal atmosphere of the store, and guide you in a unique and unforgettable experience for a visit to the terraces from which you will enjoy the beautiful view over the Arno River and the city of Florence.
Clients presenting a WEEKEND in ITALY voucher will be offered a 10% discount on their purchase.
Gioielleria Cardini - Ponte Vecchio 34/R - Florence
Founded in 1860, Fratelli Peruzzi Argentieri is one of the oldest companies in the silversmithing industry of Florence.
Gianna and her sister-in-law Laura are the fourth generation of a family of silversmiths to carry on the tradition that Giuseppe Peruzzi started over 150 years ago.
Dedicated to craftsmanship, we’ll take any request and fulfill the client’s wishes. In addition to being engaged in the research and trade of silver and gold, we proudly display the prestigious brand identification “FI 114,“ among the oldest in Florence.
The production of those items that created the renown of Fratelli Peruzzi over the course of all these years passionately continues in our workshop behind the boutique.
A dream that continues into reality.
FREE COLLECTIBLE GIFT!
Present your voucher and receive a complimentary Hard Rock Cafe gift.
Valid with Euro 25 purchase in the Cafe or Rock Shop. Valid till 30th of Dec. 2015. Not valid with other offers.
One per person per visit. Valid only at Florence location
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